Jewelry - 2008 Trends
With the changing seasons we look to the coming color palates to see what is new and exciting for jewelry trends. Well there is good news and then there is great news. The good news for jewelry lovers is the expected lovely warm colors incorporated in jewelry designs, and the great news is there is celebration of our beloved favorite jewelry tones as well.
Yellow is a popular color trend for spring 2008 - generally the color we connect to bright sunny days.Fresh colored gemstones like citrine, yellow topaz, amber,yellow canary diamonds, simulated canary diamond jewelry and the cubic zirconia substitutes will keep you on top of seasonal jewelry trends. Blue is another hot pick for your spring jewelry wardrobe, blue has so many diffrent shades and each one so beautiful and unique.Look for jewelry designs with sapphires,lapis,aquamarine,blue topaz, blue jade, aquamarine, turquoise and blue opals.
Shades of purple that will also be popular this spring 2008, including jewelry designs with complimenting tones of pink. Pink diamonds, amethyst, pink topaz, rose quartz, fluorite,pink saphires, tourmalines as well as pink pearl jewelry will all be bringing fun, color and balance into jewelry wardrobes.
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POSTED BY Romika Johar AT 3/27/2008 4:01 PM
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Tanzanite Origin
Tanzanite is only found in one place in the entire world, in the foothills of Mt. Kilimanjaro. It is commonly thought that tanzanite was discovered in 1967 by a Maasai tribesman. The tribesman found a transluscent blue rock that he thought to be a sapphire. When the stone was tested, it was found to have different properties than corundum (sapphire). What the tribesman had found was determined to be the crystalline form of the mineral zoisite.
Mined with very primitive methods, most tanzanite crystals come out of the ground demonstrating a dingey yellowish-brown color. Through heat treatment at 500+ degrees celcius the rough tanzanite crystals turn their beautiful violetish-blue color. The rough tanzanite gems are then faceted into various shapes in India, USA and Europe and then marketed to an approved list of sightholders who wholesale the finished gems to jewelry manufacturers and retailers.
Tanzanite colors occur in various shades of gray, brown, violet, blue, reddish-purple, and tints of green, though the most valuable color is considered to be a strong bluish-violet color with flashes of purple and/or red.
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POSTED BY Romika Johar AT 2/15/2008 2:17 PM
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8 Worst Jewelry Mistakes
While the first criteria for jewelry is beauty, even the most gorgeous pieces of jewelry can be worn to distract from either the jewelry itself or your outfit. The occasion frequently dictates the rules of fashion. You should be the center of attention, not your jewelry. Jewelry is an accessory and an adornment.
Too Much Jewelry
Perhaps the most common jewelry faux paux is wearing too much jewelry. It can confuse the eye and blend your pieces into the appearance of only one piece of rather gaudy jewelry. A stack of bangles worn with layers of bead and chain necklaces and large dangly earrings and several rings is just too much of a good thing.
Noisy Jewelry
Along with too much jewelry, noisy jewelry is usually inappropriate. An arm load of bracelets that clanks or tinkles at your every move is distracting and even irritating.
Wrong Weight and Size
Your jewelry should coordinate with the fabrics in your clothing. Heavy shell or wooden beads do not work with a thin silk blouse. You would be better with several thin chains or a strand of pearls. Pearls are not usually shown at their best with heavy denims or tee shirts. Wear those heavier cork or stone beads with your heavy denims or bulky sweaters. Along the same lines, the length of the necklace should coordinate with your collar. A choker can be worn with a very deep neckline, but if you wear it with a turtle neck or high neck shirt, it looks crowded.
Incompatible Materials
Jewelry can be made of anything from gold and silver with pearls and diamonds to copper washers with natural stone beads. The gemstones and materials used in your jewelry should coordinate, not clash with each other. A skilled designer can coordinate even seemingly incompatible materials for a unique and striking look.
Incorrect Size
If you are a larger sized person, tiny jewelry will get lost on you and can make you look even larger. If you wear jewelry in proportion to your body, it helps unify your look. A tiny person in huge jewelry or too much jewelry can look almost like a child playing dress up.
No Focal Piece
A large necklace, bangle, earrings and ring eliminates the focal point you need for your ensemble. One piece of jewelry can be the focal point and the others can accessorize that piece. Along the same vein, too many matching pieces is just too cute to wear. Earrings that match a bracelet or a necklace and matching bracelet look good. If everything matches exactly as a set, it becomes too predictable and lacking in imagination.
Earring Problems
Earrings seem to cause the most frequent faux paux in jewelry. A well-fitted dangling earring calls attention to your shoulders, which is the last feature to age on most women, but a tiny earring on a large woman can give her a fat-neck look and long dangling earrings on a woman with long hair can look disorganized and messy. Multiple ear piercings have become fairly common, but the earrings need to be coordinated with each other using the largest in the lowest piercings.
Dirty Jewelry
Dirty jewelry is frequently seen. Earrings and necklaces can be affected by hairspray and cosmetics while cleaning products and lotions can affect rings and bracelets. Keep your jewelry clean by using the cleaning methods recommended for each type of jewelry you wear and your jewelry will create a wonderful accessory for your outfit and your own look.
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POSTED BY Romika Johar AT 2/15/2008 2:07 PM
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What jewelry you should choose for your face shape?
Oval Shaped Face
If you have an oval face, you will look good in just about any jewelry style or length you like. A choker will emphasize a long neck; a long strand of pearls will lengthen your torso, or a low dangling necklace will look great with a low cut neckline.
Triangle shaped earrings will look great with an oval face. Look for dangling earrings that are not too long, long earrings will add length to your face and make it look longer.Different shapes will ook good in contrast to the oval face shape.
Round Shaped Face
If you have a round face you want to look for necklaces that will elongate the look of your face. Long necklaces will give the illusion of length. Wear necklaces that focus well below your neckline. A necklace with one strong focal element a little above the bust line will look great on you. Almost all earring types look good on this face shape. You might want to try for angular shapes such as squares or rectangles,these will take away from the round shape of your face.
Heart Shaped Face
This face shape is also referred to as a triangle, and because of the sharp angle of the chin, a choker is the best way to go. If you like the look of a longer necklace consider getting a long wrap necklace.Dangling earrings will be a good choice for you. Shop for earrings that dangle into a triangular shape to even out and add length to your face.
Rectangle Shaped Face
This face shape is better described as an oblong. A choker is a good option for people with this face shape, especially if you also have a long neck. Look for bold necklaces in the 16" length. Another option for this face shape is a rounded longer necklace. Look for a necklace or pendant that has a round shape.Keep Earrings short and bold, and color will look great on you.
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POSTED BY Romika Johar AT 2/03/2008 9:11 PM
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VIDEO Displaying Creations of Jewelry Designer Romika Johar
Jewelry that increases your beauty and saves your money! Stunning creations of Designer Romika Johar that guarantee compliments where each design expresses a true blend of eastern beauty and western elegance. Visit: www.romikajewels.com.
Click: Play The Video & Enjoy!!!
POSTED BY Romika Johar AT 1/31/2008 3:28 PM
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Different Shapes of Gems
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Using the Gemcutting and lapidary techniques, gemstones are typically fashioned into forms like the following :
1. Cabochons 2. Faceted stones 3. Beads and Spheres 4. Inlays 5. Intarsias and Mosaics 6. Cameos and Intaglios 7. Sculptures
Cabochons One of the simplest lapidary forms is the cabochon, a stone that is smoothly rounded and polished on top, relatively flattish, and either flat or slightly rounded on the bottom (which may be either polished or sanded). This form of cutting is often used for opaque or translucent stones, but is also frequently used for transparent materials that contain too many inclusions to yield a good faceted stone. Coloration and patterning provide the major interest in such stones. Cabochon cutting, or cabbing, is often performed by simply holding the stone in the fingers, but it is more commonly done by dopping (attaching with adhesive wax or glue) the stone to a wooden or metal dopstick. This facilitates twirling the stone to form smooth curves and avoid flat areas during grinding, sanding, and polishing. A typical cabbing machine holds several wheels representing a progressive series of diamond or silicon carbide grit, turned by a common arbor and motor, and a water supply that provides a coolant/lubricant to wash away debris and keep the stone from overheating as it is ground and sanded on progressively finer wheels.
Faceted Stones
Faceting is most often done on transparent stones. Flat facets are cut and polished over the entire surface of the stone, usually in a highly symmetrical pattern. The stone is dopped (usually with adhesive wax, epoxy, or cyanoacrylate glue) on a metal dopstick, which is then inserted in a handpiece that allows precise control of positioning. The cutting angle is adjusted vertically via a protractor and rotationally via an index gear. The facets are then ground, sanded, and polished on a rotating lap, while water or another liquid acts as a coolant and lubricant. When one side (top or bottom) of the stone is finished, a jig is used to transfer the stone to a dopstick on the opposing side.
A faceting machine usually employs a motor that turns a lap, a water supply, an adjustable handpiece with index gears and a protractor, and an adjustable mast or platform to hold the handpiece assembly. Most commercially available gemcutting machines employ a mast, but a few employ a platform.
There are two different styles of faceting machine -- mast-type and handpiece and platform. In recent years, innovative faceters have employed techniques such as concave facets, grooves, and combinations of faceting and cabbing to produce new forms in faceted stones.
Beads and Spheres
Spheres are initially sawed into cubes or dodecahedrons and then ground to shape between two pipes or rotating concave cutters, allowing the stone to rotate freely in any direction to form a perfect spherical shape. As with other lapidary processes, gradually finer grades of abrasive are used to grind, sand, and polish the stone. While beads may be faceted, they are more commonly cut and polished as small spheres and then drilled to allow stringing. Bead mills are used to grind and sand large quantities of beads simultaneously. They typically employ a grooved lap and a flat lap between which the beads are rolled and worn to shape. After shaping and sanding, beads are usually polished by tumbling.
Inlays In an inlay, a gemstone is cut to fit and glued into a hollow recess in another material (metal, wood, or other stones) and then the top ground and polished flush with the surrounding material. Stones most commonly used for inlay are strongly colored opaque stones such as black onyx, lapis lazuli, turquoise, tigereye,etc.
Intarsias and Mosaics In both intarsia and mosaic work, small bits of different colored stones are fit together and the top cut and polished to present a picture or other interesting pattern. Strictly speaking, a mosaic is constructed on top of a flat base of another material (usuallystone), while an intarsia (also known as Florentine mosaic, or pietre dure) is set flush into the surface of the base material. The finest intarsias and mosaics were traditionally of Italian origin, but intarsia has enjoyed something of a renaissance in recent years with the fine work of artists such as Jim Kaufmann and Nicolai Medvedev.
Cameos and Intaglios Cameos and intaglios are similar in that both usually are carved portraits in stone or seashells. They differ in that cameos are raised portraits, while intaglios are carved down into the surface of the material. Both typically take advantage of different colored layers of material. The finest cameos and intaglios have traditionally come from Italy (usually shell) or Germany (usually agate).
Sculpture Gemstones can be carved, like other materials, into almost any form, limited only by the talents of the sculptor. Carving is accomplished with a variety of diamond-impregnated steel bits,saws, and grindstones.
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POSTED BY Romika Johar AT 1/27/2008 8:18 PM
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Ruby- Red the color of love!!
Ruby
Ruby is Red. Red is the colour of love. It radiates warmth and a strong sense of vitality. And red is also the colour of the ruby, the king of the gemstones. In the fascinating world of gemstones, the ruby is the undisputed ruler.
For thousands of years, the ruby has been considered one of the most valuable gemstones on Earth. It has everything a precious stone should have: magnificent colour, excellent hardness and outstanding brilliance. In addition to that, it is an extremely rare gemstone, especially in its finer qualities.
For a long time India was regarded as the ruby's classical country of origin. In the major works of Indian literature, a rich store of knowledge about gemstones has been handed down over a period of more than two thousand years. The term 'corundum', which we use today, is derived from the Sanskrit word 'kuruvinda'. The Sanskrit word for ruby is 'ratnaraj', which means something like 'king of the gemstones'. And it was a royal welcome indeed which used to be prepared for it. Whenever a particularly beautiful ruby crystal was found, the ruler sent high dignitaries out to meet the precious gemstone and welcome it in appropriate style. Today, rubies still decorate the insignia of many royal households.
Ruby is the red variety of the mineral corundum, one of the hardest minerals on Earth, of which the sapphire is also a variety. Pure corundum is colourless. Slight traces of elements such as chrome, iron, titanium or vanadium are responsible for the colour. These gemstones have excellent hardness. On the Mohs scale their score of 9 is second only to that of the diamond. Only red corundum is entitled to be called ruby, all other colours being classified as sapphires. The close relationship between the ruby and the sapphire has only been known since the beginning of the 19th century.
Ruby, this magnificent red variety from the multi-coloured corundum family, consists of aluminium oxide and chrome as well as very fine traces of other elements - depending on which deposit it was from. In really fine colours and good clarity, however, this gemstone occurs only very rarely in the world's mines. Somewhat paradoxically, it is actually the colouring element chrome which is responsible for this scarcity. True enough, millions of years ago, when the gemstones were being created deep inside the core of the Earth, chrome was the element which gave the ruby its wonderful colour. But at the same time it was also responsible for causing a multitude of fissures and cracks inside the crystals. Thus only very few ruby crystals were given the good conditions in which they could grow undisturbed to considerable sizes and crystallise to form perfect gemstones. For this reason, rubies of more than 3 carats in size are very rare. So it is no wonder that rubies with hardly any inclusions are so valuable that in good colours and larger sizes they achieve top prices at auctions, surpassing even those paid for diamonds in the same category.
Some rubies display a wonderful silky shine, the so-called 'silk' of the ruby. This phenomenon is caused by very fine needles of rutile. And now and then one of the rare star rubies is found. Here too, the mineral rutile is involved: having formed a star-shaped deposit within the ruby, it causes a captivating light effect known by the experts as asterism. If rubies of this kind are cut as half-dome shaped cabochons, the result is a six-spoked star which seems to glide magically across the surface of the stone when the latter is moved. Star rubies are precious rarities. Their value depends on the beauty and attractiveness of the colour and, though only to a lesser extent, on their transparency. Fine star rubies, however, should always display rays which are fully formed all the way to the imaginary horizontal line which runs through the middle of the stone, and the star itself should be situated right in the centre.
Ruby-red means passion
Red for ruby. Ruby-red. The most important thing about this precious stone is its colour. It was not for no reason that the name 'ruby' was derived from the Latin word 'rubens', meaning 'red'. The red of the ruby is incomparable: warm and fiery. Two magical elements are associated with the symbolism of this colour: fire and blood, implying warmth and life for mankind. So ruby-red is not just any old colour, no, it is absolutely undiluted, hot, passionate, powerful colour. Like no other gemstone, the ruby is the perfect way to express powerful feelings. Instead of symbolising a calm, controlled affection, a ring set with a precious ruby bears witness to that passionate, unbridled love that people can feel for each other.
Birthplaces of rubies
Which is the most beautiful ruby-red? Good question. The red of a ruby may involve very different nuances depending on its origin. The range of those nuances is quite wide, and could perhaps be compared to hotel categories, from luxury accommodation down to a plain inn or hostel. For example, if the gemstone experts refer to a 'Burmese ruby', they are talking about the top luxury category. However, it does not necessarily follow that the stone is of Burmese origin. It is basically an indication of the fact that the colour of the ruby in question is that typically shown by stones from the famous deposits in Burma (now Myanmar): a rich, full red with a slightly bluish hue. The colour is sometimes referred to as 'pigeon-blood-red', but the term 'Burmese colour' is a more fitting description. A connoisseur will immediately associate this colour with the legendary 'Mogok Stone Tract' and the gemstone centre of Mogok in the North of Myanmar. Here, the country's famous ruby deposits lie in a mountain valley surrounded by high peaks. Painstakingly, gemstones of an irresistible luminosity are brought to light in the 'valley of the rubies'. Unfortunately, really fine qualities are quite rare even here. The colour of a Burmese ruby is regarded as exceptionally vivid. It is said to display its unique brilliance in any light, be it natural or artificial.
Ruby deposits also exist in Vietnam, near the Chinese border. Rubies of Vietnamese origin generally display a slightly purplish hue. Rubies from Thailand, another classical supplier, however, often have a darker red which tends towards brown. This 'Siamese colour' - an elegantly muted deep red - is considered second in beauty only to the Burmese colour, and is especially popular in the USA. Ceylon rubies, which have now become very rare, are mainly light red, like ripe raspberries.
Other ruby deposits are located in Northern Pakistan in the Hunza Valley, Kashmir, Tadzhikistan, Laos, Nepal, and Afghanistan. But rubies are also produced in India, where deposits with relatively large crystals were discovered in the states of Mysore and Orissa. These crystals have many inclusions, but they are, nevertheless, eminently suited to being cut as beads or cabochons.
Lately, people have begun to talk about East Africa as a source of rubies. Straight after their discovery in the 1960s, rubies from Kenya and Tanzania surprised the experts by their beautiful, strong colour, which may vary from light to dark red. But in the African mines too, fine and clear rubies of good colour, purity and size are very rare. Usually the qualities mined are of a merely average quality.
Colour The colour is a ruby's most important feature. Its transparency is only of secondary importance. So inclusions do not impair the quality of a ruby unless they decrease the transparency of the stone or are located right in the centre of its table. On the contrary: inclusions within a ruby could be said to be its 'fingerprint', a statement of its individuality and, at the same time, proof of its genuineness and natural origin. The cut is essential: only a perfect cut will underline the beauty of this valuable and precious stone in a way befitting the 'king of the gemstones'.
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POSTED BY Romika Johar AT 12/29/2007 4:26 PM
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Facts about Diamonds
- Carat-Weight:
The earliest gem traders measured their stones by comparing their weight to the weight of the pods from the carob, or locust tree. These tiny carob seeds are remarkably consistent in weight, and this is where the term ‘carat’ is derived from.
The metric carat, which equals 0.20 gram or 1/142 of an ounce, is the standard unit of weight for diamonds and most other gems. One carat is divided into 100 "points." A diamond weighing 50 points = 0.5 carat (ct.), and is expressed as one-half carat. The carat-weight of a diamond is the most obvious characteristic of a diamond, and larger stones are often prized due to their rarity. It must be remembered, however, that the weight has no bearing on quality, and two diamonds of comparable weight may differ drastically in price due to dissimilarities in cut, color, and clarity. Diamonds of the same diameter may vary in actual carat weight depending on variations in their proportions. All other aspects being equal, the larger the carat weight, the more valuable the diamond is.
25 points or 1/4ct.; A diamond of approximately 1ct. would be called a 4 grainer, one ~ 1.5ct. would be a 6 grainer, and a 0.5ct. stone a 2 grainer.
Melee: Diamonds weighing less than 1/5ct. (less than 20 points). Stones this size are set using various techniques as groupings in jewelry.
Value per carat: increases with carat size, because larger rough diamonds occur less frequently. In other words, 2 half-carat diamonds taken together will not cost as much as 1 one-carat diamond, as the one-carat stone is more rare. Also, a premium is added to diamond prices as they reach and exceed each 1/4ct. increment in weight.
- Color:
The color grade of a diamond refers to how closely its body color approaches colorlessness. The best color for a colorless diamond is, in fact, an absence of color. A truly colorless stone will carry a premium price, and the larger that diamond, the greater the premium per carat.
Most diamonds have at least a trace of yellow, brown, or gray body color. Though a lot of diamonds will appear to be colorless, most actually possess subtle shade differences. These variances in color are due to traces of elements such as nitrogen and boron that become assimilated into a diamond’s atomic structure during the original formation. Most commonly, a diamond will have a hint of yellow or brown due to traces of nitrogen.
Diamonds with increasing shades of brown and yellow are referred to as champagne diamonds, and diamonds with exceptional color, such as pink, red, green, blue, and amber, are called "Fancies." With the exception of some natural fancy colors, such as blue, pink, purple, or red, the colorless grade is the most rare. Colors of high saturation such as red and green, which have no modifying secondary colors, are very rare indeed and command world record prices.
The rarest and most prized diamonds are those with no hint of color at all whose beauty is entirely dependent upon their optical properties. Such stones reflect all of the colors of the rainbow, and their value is great. All things being equal, other than the fancy colors, the closer a diamond is to colorless, the more valuable it is.
The color of the stone can be determined by using a GIA (Gemological Institute of America) Certified set of master stones and/or the Colorimeter, a computer which accurately grades the color of a polished diamond.
Factors Affecting Color: Other factors which can affect color include fluorescence, color enhancements such as high pressure, high temperature treatment (HPHT) and irradiation.
Fluorescence: produced by ultraviolet light from the sun, by black lighting or other long-wavelength UV source, occurs in an estimated 35% of gem grade diamonds. (Virtually all diamonds fluoresce when exposed to X-rays, and this forms the basis for their identification and collection at mining sites.) The UV light excites electrons in the diamond crystal, which then release this absorbed energy in the form of visible light, producing a blue, or sometimes other color, of faint to very strong intensity. Once the light source is removed however, the fluorescence is no longer observed. If, in rare situations, light emission continues for a period after the exciting light has been turned off, the phenomenon is called phosphorescence. Blue Fluorescence: if strong or very strong, may alter the perceived color of a diamond in a negative or positive way. For example, stones in the colorless/near colorless ranges (D-H) may appear milky or oily, detracting from their appearance. On the other hand, diamonds in the lower, more yellow color ranges (I and lower) may appear to have less yellow color due to the fluorescence, adding positively to their appearance. Thus, the trade will slightly discount prices of diamonds in the former category, while sometimes adding a very slight premium to those in the latter. The presence and color (most frequently blue, but can be any color) of fluorescence and its intensity (none/inert, faint, medium, strong, very strong) are indicated on all GIA and AGS grading reports.
Irradiation: of diamonds using a nuclear reactor or linear accelerator, sometimes in combination with heating, is used to produce a variety of different fancy colored stones.
High Pressure/High Temperature (HPHT) treatment: is a process developed by General Electric whereby type IIa diamonds of low color (N-O) or even fancy brown color, can be converted to colorless/near colorless (D-H) forms by an annealing process involving high pressure and temperature. There is some concern that these color-enhanced stones may come to market undetected, but new research has shown that they can be largely detected using expensive and sophisticated equipment. Similarly, the HPHT technique has also been applied to type Ia brown diamonds by several companies, yielding fancy yellowish green and greenish yellow colors. Pink and blue colors have also been produced by the same technique.
The Color Grading Scale: ranges from totally colorless to fancy yellow. The differences between one grade and another are very subtle, as can be seen by the number of grades within any one category.
Diamonds are graded for color only as loose, unmounted stones in the inverted position (table down, pavilion up), and under very specific conditions of lighting and background, and also the distance and angle of the observer in relation to the stone. A color scale has been devised by the Gem Trade Lab. of the Gemological Institute of America (GIA) divided alphabetically from D (the absence of color) to Z (fancy yellow color), and is recognized world-wide. Each letter grade represents a small range of color, and not just a single color. Diamonds are color graded by being compared to a set of master stones.
DEF (Colorless) GHI Near colorless; not distinguishable from colorless when mounted J Very, very faint yellow KLM Faint yellow. Color distinguishable to the trained eye. NOPQ Very light yellow to intense yellow color. RSTUVWXYZ Increasingly more intense color, gradually ranging into browns.
Effect of Color on Price: In general, as the amount of yellow in the stone increases, the value of a diamond decreases, that is until the fancy color grades are reached, and then the value goes up again.
- Cut:
Regardless of the size or shape of a diamond, the cut will be the ultimate determinant of a diamond’s brilliance and fire. Most round, brilliant-cut or fancy-shaped diamonds have fifty-eight delicately angled flat surfaces, called facets. The placement of each facet is intrinsic to the brilliance and beauty of the stone; if the cut is too deep, light will escape through the opposite side of the pavilion, or bottom, of the diamond before it can be reflected. Similarly, a shallow cut will allow light to pass directly through the pavilion. The cut of a diamond is graded on the basis of how well the diamond handles the light coming into it from above.
The proportions and finish of a polished diamond determine its final face-up beauty. A well proportioned diamond will return most of the light back to the eye for maximum brilliance and dispersion.
Sparkle is created by the facet placement and the surface polish.
How a diamond handles light: 1. When a diamond is cut to good proportions, light is reflected from one facet to another and then dispersed through the top of the stone. 2. If the cut of the diamond is too deep, some light escapes through the opposite side of the pavilion. 3. If the cut is too shallow, light escapes through the pavilion before it can be reflected, thus reducing brilliancy.
Brilliance: is the total light reflected to the eye from both surface and internal reflections.
Dispersion: is the separation of white light into its spectral (rainbow) colors and is caused by its refraction, which bends each wavelength of light a little differently to cause separation into individual colors.
Scintillation: is the flashing or sparkling of light which occurs when either the diamond or light source are moved.
Finish: which includes polish and symmetry, is also an important contributor to a diamond's beauty.
Polish: features largely describe the condition of the surface of the stone, and include abrasions of the facet junctions and the culet, rough and bearded girdles, nicks and pits, and scratches and polishing marks if they do not affect the clarity grade. You will remember some these elements were also listed as blemishes in the clarity-grading scheme. However, if the blemishes are not serious enough to affect the clarity grade, they are included under polish as part of the finish grade.
Symmetry: characteristics include many features of poor and/or careless workmanship such as an off-center table or culet, a table not a regular octagon shape, an out-of-round or wavy girdle, non-parallel girdle and table, facets which don't meet or point properly or are misaligned between the crown and pavilion, and naturals and extra facets which are not graded under clarity.
Proportion: The full realization of the potential of a diamond's brilliance, dispersion and scintillation and getting the proper balance between these three elements is achieved mainly through proper cut proportions. The important proportions are: 1. Table size 2. Crown height and angle (angle of the bezel facets with the girdle) 3. Pavilion depth and angle (angle of the pavilion facets with the girdle) 4. Girdle thickness 5. Culet size
Make: This is a trade term used to describe how closely the proportions of a brilliant cut diamond are to an "ideal". For stones approaching these proportions a diamond is said to be of good or fine make, and for those with problems of proportion are referred to as being of fair or poor make.
Effect of Cut Quality on Price: Cut quality commands a premium for two reasons. First, you are paying for a highly skilled diamond cutter's time, and it can take many hours to get all the proportions and angles to fall within the Ideal or SuperIdeal ranges. Second, more of the diamond is lost in the cutting process, because the goal is not to cut the heaviest diamond, but the best performing diamond.
- Grading-Clarity:
describes the clearness or purity of a diamond. This is determined by the number, size, nature, and location of the internal (inclusions) and external (blemishes) imperfections. Nitrogen and other elements trapped within a stone during its formation effect the ultimate color, and minerals embedded in a diamond during crystallization will influence the stones clarity.
These natural characteristics, called inclusions, make each stone unique; they are natures way of personalizing each diamond.
Gemologists even use these inclusions to determine a diamonds age. The fewer the inclusions, however, the more rare and precious the stone will be considered because nothing will interfere with the passage and reflection of light. The number, color, size, and position of any inclusions will specify a diamonds clarity, but most will not endanger its durability. To establish a diamonds clarity, it must be examined by a trained eye under a 10x magnification; the fewer the inclusions, the more flawlessand valuable the diamond is.
Be aware! Two methods used to enhance the clarity grade given to a diamond are laser drilling and fracture filling. Laser drilling is the process in which a laser is used to drill a tiny hole into a diamond and the black of the imperfection is then removed. The second treatment is fracture filling. This method is not permanent and therefore not recommended.
BLEMISHES: Abrasions: tiny nicks on facet junctions or the culet; caused by wear or coming in contact with other diamonds.
Extra Facets: small facets placed to remove imperfections; not part of the cutting style. (Not to be confused with Added Facets which are added symmetrically and are part of the cutting style).
Naturals: part of the original crystal surface remaining on the polished stone, frequently in the area of the girdle.
Polish Lines and Marks: tiny parallel lines or surface clouding left by irregular polishing or excessive heating during polishing, respectively.
Rough Girdle: a grainy or pitted girdle surface usually caused by poor workmanship.
Surface Graining: structural irregularities in crystal growth; may appear as faint lines, causing grooved or wavy surfaces and often cross facet junctions.
INCLUSIONS: Bearding: tiny feathers extending inward from a bruted girdle surface. (Bruting is the process of rubbing two diamonds together to achieve the rounded shape of the diamond).
Cavities and Chips: large/deep openings, and small/shallow openings in the diamond's surface, respectively.
Clouds: hazy or milky areas of many very small, usually crystalline inclusions.
Feathers: cleavages or fractures often white and feathery in appearance. (There are 4 cleavage planes in diamond, which run in octahedral directions. Fractures are breaks along planes other than cleavage planes and may alternate with them to form step-like feathers).
Included Crystals: mineral crystals, such as garnet or peridot, contained inside a diamond.
Indented Naturals: natural rough surfaces that penetrate the stone and may distort the girdle outline.
Internal Graining: regions of irregular crystal growth that may appear as milky or colored lines or streaks, or may be reflective.
Laser Drill Holes: a tiny tube made by a laser; the surface opening may resemble a pit, while the tube usually resembles a needle.
Needles: needle-shaped included crystals.
Pinpoints: areas of minute, dot-like inclusions.
Twinning Wisps: cloudy areas produced by distorted crystal growth.
Clarity:: All clarity grading is performed at 10-times magnification using a hand loupe or gemological microscope under both artificial daylight and darkfield illumination conditions. Reflected light is used to detect and evaluate blemishes and darkfield light for inclusions. It's the face-up view that usually sets the clarity grade, however the face-up, pavilion and table-to-culet views are all taken into consideration during grading. Clarity grades are largely determined by the collective visual appearance that a stone's inclusions exhibit in relationship to the size and shape of the stone. It is the consideration of the size, position, number, color/contrast and nature of these inclusions, which leads to the final clarity grade.
Clarity Symbol Meaning Definition:
F Flawless Free from all blemishes, or inclusions.
IF Internally Flawless No inclusions visible at 10x magnification.
VVS1 Very Very Slightly Included #1 Inclusions that are extremely difficult to detect at 10x.
VVS2 Very Very Slightly Included #2 Inclusions that are very difficult to detect at 10x.
VS1 Very Slightly Included #1 Minor inclusions, difficult to detect at 10x.
VS2 Very Slightly Included #2 Minor inclusions, somewhat difficult to detect at 10x.
SI1 Slightly Included #1 Noticeable inclusions, easy to detect at 10x.
SI2 Slightly Included #2 Noticeable inclusions, very easy to detect at 10x.
SI3Slightly Included #3 Some inclusions may be seen with the unaided eye.
I1 Included #1 Obvious inclusions. Somewhat easy to detect with the unaided eye.
I2 Included #2 Obvious inclusions. Easy to locate with the unaided eye.
I3 Included #3 Obvious inclusions. Very easy to detect with the unaided eye.
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POSTED BY Romika Johar AT 12/29/2007 4:05 PM
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Tips on choosing a good sapphire
Ask if the stone has been treated in any way. Some common treatments to enhance gems include irradiation, heat treatment, dyeing and coating. Not all of these treatments will devalue the stone, but always ask so you know what you're getting.
Study the color of the stone. The most valuable sapphires are deep, pure blue, and do not change color when moved into different light. Stones that are too dark or too light are of less value than royal blue stones.
Make sure there are no visible inclusions in the stone or scratches on the surface.
Examine the cut of the sapphire. Oval shapes - like Princess Diana's ring - are popular, but sapphires come in a variety of cuts. Make sure the light reflects evenly off the surface of the stone when it is held face up. Look at the surface of the stone from several angles to be sure.
Place several sapphires side by side and compare them. Look at the color and cut, then choose the stone you like best.
- Sapphires and rubies are closely related and are formed from the same material, corundum. Sapphires come in a variety of colors but, in essence, a red sapphire is a ruby. So-called "fancy" sapphires range in color from yellow to green to pink to violet.
- Sapphires can be heated at high temperatures to give them a better color and clarity. It is estimated that 90 percent of the sapphires on the market have undergone this process, which does not affect the value of the stone.
- A cabochon-cut sapphire with a six-legged star in the middle is called a star sapphire. A star sapphire should have a prominent star with legs of equal length.
- If you're shopping online, investigate the site's return policy, and make sure you buy from a reputable online jeweler.
- Sapphires sold inexpensively are probably not the real thing.
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POSTED BY Romika Johar AT 12/29/2007 4:00 PM
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Properties Of Gemstones
| Agate |
General: Good for transmutation; helps with the emotion of acceptance; gives a mellow, blended aspect; beneficial in stomach area. Botswana Agate: Use with high-pressure oxygen therapy; smoke inhalation. Fire Agate: Master healer with color therapy; enhances all essences; grounds and balances; sexual & heart chakra binder; burns energy. Moss Agate: Emotional priorities; mental priorities; colon, circulatory, pancreas & pulses; blood sugar balance; agriculture. |
| Alexandrite |
Low self-esteem & difficulty centering imply need; central nervous system disorders; spleen & pancreas. |
| Amber |
Memory loss; eccentric behavior; anxiety; inability to make decisions; thyroid, inner ear & neuro-tissue strengthener; activates altruistic nature; realization of the spiritual intellect. |
| Amethyst |
Headaches; blood sugar imbalance; L brain imbalances; edginess; facilitates healing; inner peace; psychic insight; stimulates third eye; aid for meditation, spiritual opening & internal surrender. |
| Aquamarine |
Fluid retention; coughs; fear; thymus gland; calms nerves; problems with eyes, ears, jaw, neck, stomach, teeth; mental clarity; meditation. |
| Beryl |
Laziness; hiccups; swollen glands; eye diseases; bowel cancer. |
| Bloodstone |
Circulation; all purpose healer & cleanser; stomach & bowel pain; purifies bloodstream; bladder; strengthens blood purifying organs. |
| Carnelian |
Grounding; stimulates curiosity & initiative; focuses attention to the present moment; use with citrine on lower 3 chakras; digestion. |
| Chalcedony |
Touchiness; melancholy; fever; gallstones; leukemia; eye problems; stimulates maternal feelings & creativity. release. |
| Citrine |
Heart, kidney, liver & muscle healer; appendicitis;gangrene; red & white corpuscles; digestive tract; cleanses vibrations in the atmosphere; creativity; helps personal clarity; will bring out problems in the solar plexus & the heart; eliminates self-destructive tendencies. |
| Diamond |
All brain diseases; pituitary & pineal glands; draws out toxicity, poison remedy. |
| Emerald |
Radiation toxicity; all mental illness; circulatory & neurological disorders; transmits balance, healing & patience; increases psychic & clairvoyant abilities; meditation; keener insight into dreams. |
| Garnet |
Rhodolite: Capillaries; skin elasticity; protection from pre- cancerous conditions. Spessartine: Bad dreams; depression; anger; self esteem; hemorrhages; hormone imbalances; inflammations; sexual disease. |
| Jade |
Kidney, heart, larynx, liver, parathyroid, spleen, thymus, thyroid & parasympathetic ganglia healer; strengthens body; longevity. |
| Lapis Lazuli |
Neuralgia; melancholy; fevers; inflammations; penetrates subconscious blockages; throat chakra; sore throat; energy focuser for teachers, lecturers & speakers, mental & spiritual cleanser; used on 3rd eye for meditation; eliminates old & negative emotions; use with other healing stones; thought form amplification; helps in creating mantras. |
| Moonstone |
Soothes & balances the emotions; helps eliminate fear of "feeling"; encourages inner growth & strength; aids peace & harmony & psychic abilities; aligns vertebrae; digestive aid. |
| Onyx |
Objective thinking; spiritual inspiration; control of emotions & passions, help eliminate negative thinking, apathy, stress & neurological disorders; also used as a heart, kidney, nerve, capillary, hair, eye and nail strengthener. |
| Opal |
Cherry: Red corpuscle & blood disorders; depression; apathy; lethargy; intuition & joy. Dark: Reproductive organs; spleen & pancreas; filters red corpuscles & aids white corpuscles; bone marrow; depression, esp. of sexual origin; balances; amplifies creative & intuitive thought; grounds radical emotional body. Jelly: Spleen & abdominal diseases; cellular reproductive problems; helps absorb nutrients; minimizes wide mood swings; mystical thought amplifier. Light: Balances L & R brain hemispheres for neuro disorders; stimulates white corpuscles; helps bring the emotions to mystical experiences; aids abdomen, pituitary & thymus problems. |
| Pearl |
Eliminates emotional imbalances; helps one master the heart chakra; aids stomach, spleen, intestinal tract & ulcer problems.
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| Peridot |
Protects against nervousness; helps alleviate spiritual fear; aids in healing hurt feelings & bruised egos; incurs strength & physical vitality; aligns subtle bodies; amplifies other vibrational energies & positive emotional outlook; helps liver & adrenal function.
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| Quartz |
Transmitter & amplifier of healing energy & clarity; balancer, channeler of universal energy & unconditional love; all purpose healer; programmable. Rose Quartz: Lymphatic cancer & circulatory problems; helps the psychologically inflexible. Heart chakra opener; love & self-acceptance healer for emotional wounds; dissipates anger & tension. Smoky Quartz: Stimulates Kundalini energy; cleanses & protects the astral field; draws out distortion on all levels; good for hyperactivity & excess energy; grounding. |
| Ruby |
Heart chakra; balances love & all spiritual endeavors; self-esteem; strengthens neurological tissues around the heart; prevents miscarriages.
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| Saphire |
Spiritual enlightenment; inner peace; colic; rheumatism; mental illness; pituitary; metabolic rate of glandular functions; anti- depressant; aids psychokinesis, telepathy, clairvoyance & astral projection; personal expression; also for pain. |
| Spinel |
Leg conditions, when worn on solar plexus; powerful general healer; detoxification aid.
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| Topaz |
Balances emotions; calms passions; gout; blood disorders; hemorrhages; increases poor appetite; general tissue regeneration; VD; tuberculosis; reverses aging; spiritual rejuvenation; endocrine system stimulation; releases tension; feelings of joy. |
| Tourmaline |
Dispels fear & negativity & grief; calms nerves; concentration & eloquence improve; genetic disorders, cancer & hormones regulated; raises vibrations; charisma; universal law; tranquil sleep. Black Tourmaline: Arthritis; dyslexia; syphilis; heart diseases; anxiety; disorientation; raises altruism; deflects negativity; neutralizes distorted energies, i.e. resentment & insecurity. Rubellite: Creativity; fertility; blanches passive or aggressive nature. Green: Creativity; opens heart chakra; immune system; psychological problems with the father; blood pressure; asthma; balancer; eliminates conflict within. Blue indicolite: Lungs, larynx; thyroid; parasympathetic nerves. Watermelon: Heart chakra healer; imparts sense of humor to those who need it; balancer; eliminates guilt; nervous system; integration, security & self-containment. |
| Turquoise |
Master healer; protects against environmental pollutants; strengthens anatomy & guards against all disease; improved absorption of nutrients; tissue regeneration; subtle body allignment & strengthening; eye disorders.
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POSTED BY Romika Johar AT 12/28/2007 11:15 PM
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Gems for Healing & Spirituality
Gems have been used throughout history for healing and spiritual needs. Although gems exhibit great beauty, the reason they are also so precious is due to the power they impart to their wearers.
Throughout history great Kings and queens would have gemstones set in their crowns to obtain their potencies. They connected the monarchs with forces enabling them to rule guided by cosmic energies. Priests of different religions used gems in rings for similar reasons. Gems exhibit their power in a beneficial or detrimental way – depending on how they are used. This it is important we use them in teh correct way.
The inherent powers of gemstones are recognized by modern science in the technological uses of crystals in watches, lasers, and computers, but the more subtle potencies, such as their ability to promote physical healing in the body, or their power to help balance human emotions, elude modern science.
1) All stones or gems have magnetic powers in varying degrees, and many of them are beneficial to us for their therapeutic cures.
2) They emit vibrations and frequencies which have strong potential influence on our whole being.
3) They create strong energy fields which enable us to be charged with their energies.
4) The gems are used for healing, transforming, balancing, and attuning the body, mind and soul.
5) They are a manifestation of vibrancy, light and color, life, textures, transparency and clarity.
6) They activate our abilities, soothe and comfort, heal and balance through the purity of their rays.
7) The patterns in the stones reveal to us the changes that keep taking place, indicating that life is change – that the process of evolution is a cosmic law.
8) Each gem, tuned to a particular ray, has a special role to play.
9) The gems can be cleaned by leaving them under running water for six to eight hours. Or, bury them in some earth overnight, and rinse them off. Or, keep the stone in the flame of a candle until the candle melts. Or still, place the stone amongst a heap of quartz for several days, whereby its energy is revived from the contact of the quartz.
10) The gem that is cleaned should be placed in direct sunlight, for the sun is a great source of energy and purification.
11) The more precious stones that you wear, the more strongly will you be charged with cosmic forces, radiating out into your surroundings.
12) Wear your stones – Do not store them in a safe or jewelry box, for you will be depriving your body of their tremendous power.
13) Precious stones have a way of healing emotions that have been inharmonious.
14) The stones selected for use should always be in contact with one’s body to absorb their healing properties.
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POSTED BY Romika Johar AT 12/28/2007 11:03 PM
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Creating Energy with stones in the winter
Often due to a perceived lack of sunshine, many people suffer from depression during the winter months. People who live in colder climates can find themselves feeling depleted as a grey winter persists for months and months.
These are some stones that will help boost your physical and mental energy. They will lift your spirits and brighten a dull environment.
- Lemon Quartz -for abundance, warmth, enhance creativity
- Golden Calcite- for energy
- Sunstone - for creativity
- Ocean Jasper -for joy in daily life
- Ametrine- for optimism
- Goldstone-vitality
- Sugilite- burns away greyness
You can wear these or place them around your home of work place . They will beat your blues on a gloomy winter day and boost yopur energy levels.
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POSTED BY Romika Johar AT 12/28/2007 10:53 PM
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Gemstone Jewelry Secrets Revealed
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The mystery and magic of colored gemstones has been an integral aspect or the "Lore" of most cultures for many centuries. Here is what noted gemstone experts have to say on the matter: The fascination with colored gemstones dates back to the very beginning of civilization. For our ancestors, the blue of sapphire produced visions of the heavens; the red of ruby was a reminder of the very essence of life. By Roman times, rings containing colored gems were prized symbols of power-and the most powerful wore rings on every joint of every finger! Since ancient times, colored stones have been thought to possess innate magical powers and the ability to endow the wearer with certain attributes. According to legend, emeralds are good for the eyes; yellow stones cure jaundice; red stones stop the flow of blood. At one time it was believed that a ruby worn by a man indicated command, nobility, lordship, and vengeance; worn by a woman, however, it indicated pride, obstinacy, haughtiness. A blue sapphire worn by a man indicated wisdom, and high and magnanimous thoughts; on a woman, jealousy in love, politeness, and vigilance. The emerald signified for a man joyousness, transitory hope, and the decline of friendship; for woman, unfounded ambition, childish delight, and change.
Colored gems, because of the magical powers associated with them, achieved extensive use as talismans and amulets; as predictors of the future; as therapeutic aids; and as essential elements to many religious practices-pagan, Hebrew, and Christian." Gemstones 101 Natural gemstones are found in nature. Laboratory-created stones, as the name implies, are made in the laboratory. These stones, which also are referred to as laboratory-grown, {name of manufacturer} - created, or synthetic, have essentially the same chemical, physical and visual properties as natural gemstones. Laboratory-created stones do not have the rarity of naturally colored stones and they are less expensive than naturally mined stones. By contrast, imitation stones look like natural stones in appearance only, and may be glass, plastic, or less costly stones. Laboratory-created and imitation stones should be clearly identified as such.
Gemstones may be measured by weight, size, or both. The basic unit for weighing gemstones is the carat, which is equal to one-fifth 91/5th) of a gram. Carats are divided into 100 units called points. For example, a half-carat gemstone would weigh .50 carats or 50 points. When gemstones are measured by dimensions, the size is expressed in millimeters (for example, 7x5 millimeters).
Gemstone treatments or enhancements refer to the way some gems are treated to improve their appearance or durability, or even change their color. Many gemstones are treated in some way. The effects of some treatments may lessen or change over time and some treated stones may require special care. Some enhancements also affect the value of a stone, when measured against a comparable untreated stone. Jewelers should tell you whether the gemstone you're considering has been treated when: the treatment is not permanent; the treated stone requires special care; or the treatment significantly affects the value of the gemstone. Some common treatments that you may be told about and their effects include:
* Heating can lighten, darken or change the color of some gems, or improve a gemstone's clarity.
* Irradiation can add more color to colored diamonds, certain other gemstones and pearls.
* Impregnating some gems with colorless oils, wax or resins makes a variety of imperfections less visible and can improve the gemstones' clarity and appearance.
* Fracture filling hides cracks or fractures in gems by injecting colorless plastic or glass into the cracks and improves the gemstones' appearance and durability.
* Diffusion treatment adds color to the surface of colorless gems; the center of the stone remains colorless.
* Dyeing adds color and improves color uniformity in some gemstones and pearls.
* Bleaching lightens and whitens dome gems, Including jade and pearls. In this day and age, gemstones are generally worn for their natural beauty or as a fashion statement, but there are many that "buy-in" to the mythical and mystical symbolisms of gems as well. Whatever a persons reason, the world of gems today offers an almost endless choice. Many new gems have been discovered and are widely available in reds, blues, greens and many unusual shades as well.
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POSTED BY Romika Johar AT 12/28/2007 4:30 PM
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Jewelry Appraiser Service
Jewelry appraisers can provide valuable services to people who own diamonds and jewelry or are in the process of buying diamonds and jewelry.
First, the jewelry appraiser can identify your jewelry as to the material, quality, workmanship, condition and other characteristics that influence the item’s value. For example, diamonds that appear similar to the eye can vary in terms of color, clarity, cut, fluorescence, measurements and durability. These are all factors that uniquely identify one diamond from another and can cause the value of one stone to be more than double that of another even if they are identical to the unaided eye.
Second, the jewelry appraiser can estimate the value of the jewelry item. The definition of value can vary depending on the purpose of the appraisal. For example, an appraisal value could be quite different if the purpose is 1) selling the item, 2) purchasing an item from a retailer, 3) insuring the item after purchase, 4) settling an estate, 5) distributing property in a divorce, or as an expert witness in a lawsuit.
Third, the jewelry appraiser is a witness to the existence of the property. This is important in the process of filing an insurance claim for the loss of an item where proof might be required that the jewelry existed at a certain point in time and was in a certain condition. This is why an appraiser should insist on examining the jewelry item when updating an insurance appraisal.
Fourth, the jewelry appraiser can provide advice as to the durability, wearability, and repair of jewelry items. Jewelry made of metal and gemstones can vary greatly in their hardness, toughness, and resistance to heat or chemicals. Because the appraiser has professional training (i.e. Graduate Gemologist) and is not involved in the sale of the item, they can provide unbiased recommendations based on their experience.
When selecting a jewelry appraiser, understand why you are seeking the jewelry appraiser’s services so you can choose the best provider of those services. Professional jewelry appraisers set their fees based on an hourly rate or a per item basis, never as a percentage of appraised value. Appraisers who are efficient and highly computerized can often provide lower prices for services than those performing the same task but take twice as long to perform them.
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POSTED BY Romika Johar AT 12/28/2007 4:28 PM
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2007 JEWELRY TRENDS
Spring and summer are especially fun jewelry seasons for their bright, lightweight and casual designs. Here's a look at some anticipated trends you can consider for your 2007 jewelry collection.
Style Trends
Beads are very popular this year, and we'll continue to see lots of ethnic strung-bead styles with large Victorian style pendants. Focus on energetic color combinations and don't be afraid to use textured stringing materials. Long necklaces are still in, but they're becoming thinner and simpler. Flower and leaf designs are very hot such as semi precious pedant necklaces. It adds feminine touch to anything you wear and pink flower jewelry is especially flattering. Black and white colors are really big now; it looks super cool and elegant when matching these colors with sterling silver chains, silver earrings or silver necklaces. Bulky semi precious stones necklaces with silver color chains are in style now
Bold geometric silver designs are gaining in popularity, too. Whichever metals you decide to go with, consider giving them extra texture and personality, for example if you are wearing a simple silver chain add a bold pendant. Bracelets , bangles and watches are expected to be essential fashion accessories this season. We'll continue to see stacked bangles in interesting designs. Non-bangle bracelets and watch bands will be wide and cuff-like.
Color Trends
According to the color-trend forecaster Pantone, the most popular new colors for spring and summer will be pastel shades of pink, green, yellow and blue, accented by neutrals of light grey and light coffee. Pantone also notes two brighter colors in its list of favourites: a jewel-tone violet and a modish green-yellow. This palette seems to be a milder, more natural-hued version of the Moroccan-theme colors we've seen so much of in past years.
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POSTED BY Romika Johar AT 12/28/2007 4:27 PM
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Jewelry of Semi-Precious Stones: Stylish Things of Beauty
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Want to make or wear impressive Silver jewelry, but running on a tight budget? Using semi-precious stones is one good way to achieve this. These stones come in a wide variety and are highly accessible to almost everyone. Semi-precious stones preserve the effect of sophistication. Many pieces of jewelry made of these stones are pleasant to look at without seeming opulent. Depending on one's own taste and fashion sense, these gemstones have the greatest potential to enhance one's personal sense of style.
Some semi-precious stones are also birthstones, which correspond to people's birth months. Some people believe that wearing stones that correspond with one's birth month increases one's inner strength. This special trait makes jewelry made of certain semi-precious birthstones especially useful as gifts. Examples of such birthstones are garnet (January) and aquamarine (March).
Another popular belief is that certain stones have their own unique "powers." For example, wearing garnet is said to help ease the pain of a bad breakup, or cause jealousy between lovers. Amethyst is said to protect its wearer against the ill effects of alcohol, slow down intoxication and prevent hangovers. Turquoise is said to give emotional strength. Jade has always had enormous importance in Asian civilization; it is said to have the mystical power to protect its wearer against nightmares and other psychic attacks.
Quartz is said to be among the most important of the semi-precious stones, because it calls upon the power of love -- especially the rare rose quartz. Wearing rose quartz is said to increase one's chances of finding or maintaining a good romantic relationship.
Some pieces of bead jewelry are also made of semi-precious stones. The stones are threaded together with cords, making fine webs and accentuating intricate designs. Jewelry made of semi-precious stones is always popular, partly because of the beliefs associated with the stones -- but mostly because they're so pretty and can go well with anything one wears.
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POSTED BY Romika Johar AT 12/28/2007 4:25 PM
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The truths about beaded jewelry!
Shopping for Inexpensive Yet Brilliant Pieces
History of Beaded Jewelry
Beads have been used to create jewelry and adorn costumes since the dawn of time. If you were to look back on the Ice Age you would discover small objects crafted of natural "beads" including animal bones and teeth, seashells and colorful stones. These items were usually attached to clothing or plant fibers to form the most primitive forms of beaded jewelry.
Beaded jewelry symbolizes many different things for different people; different cultures have associated beads with varying spiritual beliefs, cultural customs and social traditions. Beads, like many other jewelry items, have been used throughout time to adorn the bodies of men and women alike, signifying power, beauty and the human spirit.
The very first actual "beads" that have been discovered date back to approximately 38,000 BC. Made by cavemen, these beads were crafted from animal parts. In later times, beads were crafted as symbols of fertility and animal spirits.
During the stone age, beads were crafted primarily as a means of adorning the body; they were also used for trading on occasion however. A couple thousand years later, beads were crafted out of coral and other "precious" substances. In ancient Greece there is evidence that carnelian beads and beads made of lapis lazuli were worn by wealthy members of society. The use of semi-precious stone beads began to become more popular about 2800 BC among the Syrians, who fashioned beads of materials like agate and serpentine.
Since that time beaded jewelry has become more and more valuable and popular. Gold and other semi-precious stones are often used to craft beaded jewelry.
Perhaps the most popular form of beaded jewelry is glass jewelry. Evidence of the first glass beads suggests that glassmaking was common in Mesopotamia around 2180 BC. Glass beads were popular then and are popular now in part because of their durability and inexpensive pricing. The Egyptian and Phoenician cultures are well known for their use of glass to make beaded jewelry. Beaded jewelry was commonly found buried with wealthy pharaohs in the ancient tombs of Egypt, though it was not uncommon for glass beads to be buried with poor families as well.
In modern times beaded jewelry is popular because of its versatility and diversity. Beads can be crafted from almost any material including the following:
- Coral/seashells
- Gemstones
- Glass
- Rock Crystal
- Gold
- Silver
- Stone
- Pearls
Beads can even be crafted out of plastic (though this is of course less lovely than some other more traditional options). In Olden times beads served as symbols of status, wealth and heritage, today beaded jewelry is more much representative of a persons unique style preferences and personality. Beaded jewelry can be custom made in almost any style, using any type of chain and any type/combination of beads.
Beaded jewelry is just as popular today, if not more popular than it was in ancient Egyptian and Mesopotamian times. Buying online is easy, and perhaps the best option for bead savvy and not so savvy consumers alike. Buying online eliminates the hassle of traveling from store to store, which can take days or more to find the right beads or beaded jewelry. By shopping online, you have literally tens of thousands of unique selections to choose from. Though no longer traded for food, modern jewelry enthusiasts often engage in bead trading for fun and camaraderie.
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POSTED BY Romika Johar AT 12/28/2007 4:20 PM
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Emerald-Stone of the Month of May
Emerald is a wonderful green and much admired stone. Due to its stunning beauty, emerald is used in all types of jewelry such as earrings, rings, necklaces, pendants and bracelets. Energy healers often call emerald a very healing stone for relationships, for the heart, and for health. It is a fabulous birthday gift with a special meaning you can add to it.
Emerald Care and How Emerald is -Treated
Medium to dark green beryl which derives its color from chromium and vanadium. Emerald has a hardness rating of 7.5.
Use a soft, dry cloth to clean your Emerald. Avoid sudden temperature changes, household chemicals and ultrasonic jewelry cleaners.
Emerald is often treated with oil to fill fissures and fractures that are characteristic of emerald. Hence, you should never clean an emerald in an ultrasonic cleaner because this oil could be removed or damaged, making the fissures more visible. In addition, do not clean emerald in hot soapy water since it too can remove this oil.
Emerald is often irradiated for clarity.
Reputable dealers will not use the following misleading terms. However, for your protection, I am listing them here:
"African emerald" is really green fluorite from South-West Africa "Cape Emerald" is really prehnite found in South Africa (not to be confused with true emerald from South Africa). "Evening Emerald" is really peridot. "Indian emerald" is really green-dyed quartz. "Medina Emerald" and "Spanish Emerald" are really green glass. "Mt. Saint Helens Emerald" is green glass that is man made by fusing volcanic ash. "Scientific Emerald" is really synthetic stones or paste. "Uralian Emerald" is really green garnet. "Zerfass Emerald" is synthetic emerald.
Where Emerald is Found
Columbia has got to be one of the most beautiful countries in the world. Outside the capital of Bogota are endless green meadows that lead to the imposing Andes, ancestral home of the Incas. Villages and towns dot the whole country, and rivers wend their way in every direction to meet up with greater tributaries that eventually lead into the oceans.
Columbia is one place where the green ones are found---some of the most beautiful emeralds in the world. But, the earliest emerald mines were found in Egypt, and date back to 2000 B.C. The most famous were known as The Mines of Cleopatra's Cleopatra, Queen of Egypt had a large cadre of emeralds and other jewels, but it is said that she loved her emeralds the best. Emerald mines are worked in terraces until the site is depleted. Cleopatra's mines started to run out in 1750 when they were abandoned. A few new lodes were found later, and mining was revived briefly. Finally, the mines were shut down permanently in the 1920's. Deposits can be found in Siberia, Afghanistan, other parts of Africa, Pakistan, Brazil, and Madagascar along with secondary sites around the world. Most of these mines produce emeralds that are a result volcanic activity which contain chromium bearing metamorphic, crystalline schists. These specimens are known as "metamorphic emerald deposits".
What makes the Colombian variety different? The emeralds found at the Chivor Mine near the town of Somondoco east of Bogota and the Muzo Mine situated in the western foothills of the Andes do not come from volcanic activity. They were created by hydrothermal processes that are found in black shale clay dating back 120 million years. They crystallized in veins that are several centimeters in diameter, which were made up mainly of calcite, sodium feldspar albite, and iron sulfite pyrite. Then a whole hydrothermal routine took place. Biogenic masses from sea animals and organisms turned into bitumen which caused oxidation and formed the emeralds. Then beryllium ions were released and passed into the veins and cracks that held the mineral elements and caused the stones to cool as large crystals. When the pyrite entered the emeralds it gave them a rich genuine green color that is rarely found in emeralds from other areas. This natural process that produced the Colombian Emerald cannot be found anywhere else in the world. Columbia generates the worlds highest quality emeralds.
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POSTED BY Romika Johar AT 12/28/2007 4:18 PM
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Jewelry Manufacturing Process
Jewelry manufacturing is a very complex process undergoing a long and tedious procedure making it tough work from the beginning to the very end. Each product undergoes a series of processes before we get the final result as a beautiful jewelry product. A brief description is given below of all the processes in the manufacturing chain.
Design Creation n Sketching To make a unique piece the very first step is to create a design, this is where the magic begins! An idea of the end product by very talented designers who then makes a sketch of the design for the master molders.
Master Molding Once the sketch is complete with all the fine details it is passed on to the molding department. In the molding department the very experienced master molders then turn the sketch into a master mold which lays the base for the entire process there from. The master mold is a very intricate level of crafting as the final result rests on the master mold.
Dye Making After the master mold is made it is brought to the Dye making department where hundreds and thousands of replicas of the master mold are made for production. The replicas are in the shape of dyes, which are made using hot wax.
Casting of Jewelry The wax replicas are then forwarded to the casting block where the products are casted out of respective metals. Casting again is a very complex process and requires utmost skilled and experienced casters for the desired final product.
Foiling n Finishing : Once the casting process ends and the caster hand over the products to the next department, they are they foiled very carefully for a smooth and soft finish.
Stone Making n Assorting While the products gets casted and foiled the required stones of the correct weight and sizes are cut and made with utmost precision and are then assorted for the final setting which is done once the products leaves the foiling and finishing department.
Rhodium Plating The stone being set, the products are then sent to the plating department where they undergo various treatments for that unique color of Gold or Silver. The products are also then plated with Rhodium as it gives a better finish and increases the shine of products and retains it for long.
Checking In the final stages of the manufacturing the products are then brought to the checking department where each piece is very carefully and properly checked for any defects by very experienced workers and all the defected pieces are returned to the respective departments.
Packing
Last but not the least, once the pieces pass through all the inspections and checking it is then passed on for final packaging and tagging.
Thus, each piece of jewelry irrespective of its size and weight undergoes a long and complex procedure making each piece as valuable and as unique as the process it endures.
http://www.romikajewels.com
POSTED BY Romika Johar AT 12/28/2007 3:04 PM
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What is Cubic Zirconia Jewelry
Cubic zirconia jewelry has to be among the most popular inexpensive jewelry items to buy. Part of the appeal of cubic zirconia jewelry is its remarkable ability to look exactly like real diamond jewelry. Most cubic zirconia is hard to distinguish from its natural cousins.
The widespread use of cubic zirconia became popularized around the 1980s, when it first became mass produced. It is created through a chemical process that combines zirconium oxide and yttrium oxide, which when melted together form a radiant and shiny crystal resembling a natural diamond.
Most cubic zirconia jewelry is very durable, brilliant and long lasting. Some people have to look at a cubic zirconia under a powerful magnifying glass to distinguish it from a real diamond, a testament to its quality and aesthetic appeal. If you are looking for a clear, brilliant and inexpensive option to traditional diamond jewelry, don't hesitate to shop a wide selection of cubic zirconia jewelry. Buying online provides the most advantages, because there is a wider selection and you have the ability to customize your pieces with the click of a button.
POSTED BY Romika Johar AT 12/12/2007 4:02 PM
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MY PROFILE
Name: Romika Johar
Location: Markham, Canada
Romika Johar
Position:Director&Founder-Romika Jewels Inc.
My name is ROMIKA and I am a jewelry designer by profession. My company Romika Jewels was launched 2 years ago where I introduced a brand new line of products in silver jewelry. With my innovative designing I have tried to give a new meaning and direction to the look of silver jewelry and tried to give colours never before seen in the market.In today's market either you get expensive jewelry or jewelry of very low quality but nothing in between. Therefore I have launched my product line of variety where you get top most quality with expensive look at most affordable prices.
My designs have been chosen for Grammy and Oscars!!!!
With use of lots of semi precious gemstones like Rubies, Emeralds, Topaz, Amethyst, Peridot etc my silver jewelry pieces like Necklaces, Pendants, Earrings, Beads, Bangles etc get unbelievable colours and beauty that beome desire of many a women. I sponsor my jewelry to Canada's top entertainment TV show ET Canada! and it is worn by beautiful show hosts Cheryl Hickey and Rosy Edah. They have been wearing my silver jewelry pieces to various LA award shows, Tony awards in New York recently and that has given credits to enhance my client base. Women from diffrent walks of life and different origin have bought my silver jewelry which helps define my niche that my designs are face of every woman.
I was featured on the front page of Markham's top Newspaper "Economist & Sun" and they profiled me with an article as well. Also our local TV station York Television did a feature on me, as a jewelry designer, that will be televised in November 2006 as a 30 minute segment once a day for 7 days.
I design different pieces of highest quality in different finishes like Gold plated, Rhodium plated, Sterling silver. My jewelry line makes a perfect gift for you and your loved ones that they will cherish for a long time to come.
Email:romika@romikajewels.com
www.romikajewels.com
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